patrizio mattei & danny omich are back on metropolitan recordings with two smokin tracks taking us back to the jumping 90s full of those fantastic 909 sounds. feel the groove pays homage to those great dance floors of the past whilst drop the bomb hits you with a funky, bone shaking groove.

originally released in 2004 on the heels of the massively successful singles losing my edge and give it up, lcd soundsystems *yeah* is a choice dance-rocker with everything one expects from the dfa hit factory infectious baselines, killer disco beats and percussion, disaffected vocals and burning keyboards. back in print on vinyl, its an instant party with a climactic end.

the second ep on the dutch imprint pinkman comes from roberto auser who brings a varied ep with his unique westcoast sound. first off is the outer space dance track never say never again, remixed by dutch techno pioneer mark du mosch on the flip. the final track eclipse brings us back to his native country ausland, a tribal battle track for all the weekend warriors out there

4 fantastic trax done by one of the best deep house producer right now : montel. being an avid record collector and dance music enthusiast for nearly 20 years, montel has slowly but surely cultivated his craft. feeling all nostalgic after his 20 year love affair with house music, he felt it was time to find a creative outlet for his sounds. not concerned with topping charts, being in the playlists of top djs or winning social networking popularity contests, montel is a man of simplicity. his only objective is to give back the good vibrations, making music for djs and dancers. music for sweaty basements, house partys and day time raves. nothing big, nothing clever.. just vibes

uzuri starts 2013 with a released that comes deep from the detroit underground. its unlikely that youll be familiar with the name whodat (terri mcqueen), but shes been rocking selected dancefloors in the states and canada for the past seven plus years, and more recently has touched down in europe – notably with a gig at berlins about blank alongside motor city compatriot, marcellus pittman

the streets are talking and the new corner is here produced by shawn o sullivan and a joint track by civil duty produced by shawn & beau wanzer of mutant beat dance ...this release wasnt made to have fun too, the artists who produced these tracks had real bad intentions in mind to destroy all in its path with no regard for human life ... straight raw driving modulated analog techno of the highest regard! tip

albinos has now been meaning to open communication channels with the baka pigmy tribe for quite some time, sadly to mixed results… this indeed represents a rather difficult task considering their take on the devil is a tall white man graced with white hair and red eyes! even though the baka people is a peaceful one, the legend goes that if they were to catch that albino devil, they would gut its organs out and turn those into an aphrodisiac concoction. strangely enough, albinos believes that his music just might be the best language to turn those antagonistic feelings into a communion, he even dreams of performing his tunes to the whole tribe, deep within the jungle, surrounded with exotic birds and the most hungry kind of predators! somewhat at times on the verge of irony, his music definitively trades with sketchy, raw and deep emotions, always sincere in the making: always a few steps away from the pre-shaped house and techno idioms, he offers his very own take on dance music, a most peculiar one. solely using old cheap hardware and an antique atari, the tracks at hand are one-take live performances, brutal incarnations of albinos simple virgin vision. as the quest for the baka people goes on, the antinote team is proud to help shed light on the journey of this obscure producer hailing from the grand north.

our first offering from survival and silent witness sets off the tone of what to expect from the full *in from the wild* package itself and album which seems to morph and twist from all out dance floor brutality to musical genius and back like these 2 artists seem to do so often and so effortlessly. *the feeding* is a powerful space age drum-shuffled crowd killer whilst *lights* presents a more musical journey from start to finish, in our eyes it is a very complete 12 inch pick from a very well pieced album. trust us, this talented duo are taking no prisoners in 2013.
support for the album so far from: friction (on bbc radio 1), laurent garnier (on his pbb worldwide radio show), london elektricity (on his hospital records xmas podcast). select tracks have also received wide support and praise from the likes of calyx & teebee, break, ant tc1, nymfo (as featured on his fabric mix), xtrah, youngsta, octane, dlr, skeptical, artificial intelligence, dbr uk, basher, mindscape, lynx, cern, hybris, ruckspin, june miller and gerra & stone.

ce returns with the next instalment of the world electronix series. this ep focuses on 4 moody acid lead electro tracks perfect for dark basements and warehouses. once again this ep will be strictly limited to one vinyl run with no repress! first up ce is proud to welcome the exaltics (bunker, solar one, creme, abstract forms) to label with a hard piercing track not for the feint hearted. next up ce label head sync 24 delivers a signature style hypnotic groove for dance floor. the flip side sees sync 24 and abstract forms label head deixis team up for there second release. this time tuning in an acidic kick drum heavy roller. finally the ep is rounded off by crc aka michael deikmann who is no stranger to ce as one half of electro duo morphology.

sascha schierloh a.k.a the enfant terrible of fucked up electronic dance music launches his new imprint raketenbasis haberlandstrasse with an impressive full length album offering.

debut vinyl release of new russian label based in moscow, hosted by agcp (a guy called phone) also more known in russia as sasha partyphone. focused on producing young russians (and ex ussr republics) underground artists, who was inspired by 70s, 80s and 90s. also concentrate on producing not only basic dance music, but and music for the different moments of live with the funky, old school and different other influences as well. rush inside (which sounds like russian side) - is a compilation of deep, funky, groovy, new disco sounds by unknowns underground producers from moscow and st. petersburg. the first step in attempt to present a part of contemporary russian electronic scene.

strong limited. finest back in the day house cutz on snuff crews own imprint snuff trax. various artists >the love< is our contribution to springtime. and as we all know is this season a really wonderful time for deep love and big emotions... the three tracks by lazercat, takeshi kouzuki and skatebård will take you on a melancholic and melodic journey - enjoy! supported by laurent garnier, mano le tough, tim sweeney, robert owens, gerd, dubfire, gregor tresher, skudge, discodromo, massimiliano pagliara, wolfram, hard ton, dj deep, sian, matt walsh, dance disorder and many more.

following daphnis exhilarating treatment of runnin, the dusty squawk-box psychedelia of sinkane is again prepared for dance floor omnipresence with remixes from germanys tuff city kids and barker & baumecker.

marrying pre-roland early 80?s us dance music with his love of early 90?s andrew weatherall remixes, his playful and intricate productions aim to surprise the listener. in a dance music world ever-more saturated by imagination-free releases

closing monster !! >aquarela< has a fantastic melody that will remind you of balearic anthems. the track generates strong and powerful atmospheres with a true groove that takes you on a emotional journey. a >flush-draw< for the upcoming sunny season. oscar was right is an insanely infectious track. a steady deep groove and an effective rhythm join everything to make this a dance floor filler. sinnmusik is an anglo-iberian label based in lisbon and london. le début de tout is the first record by the portuguese dj duo bis boys please.

micro-scene main mans deconstructed-dance endevor takes his diagonal dub, mood mixin wonk wizardry to someplace strange & sideways. a style-sampler, approaching acid, teasing techno, & jumbling jazz.

transparent vinyl. part 2 of 2.this latest ep on enemy maybe the most psychedelic and hypnotic release the label has released thus far. psychedelic hypnotism may sound like a bad acid rant from the >summer of love,< but this 2 part vinyl ep will prove you otherwise. the first vinyl focuses on the more abstract side of the dance floor, leading off with rrose and donato. perfect for the beginning of the evening or the early morning. the second vinyl is the more club-oriented accompaniment courtesy of jesper dahlback and grindvik & zahn.

ad maiora records is proud to welcome on board, for the first vinyl of its catalogue, the experience and talent of established chilean producer aldo cadiz. his productions skills appeared on many labels worldwide including top imprints like desolat, viva, kling klong and more. *tan talan* is a track that makes you dance from start to the end, thanks to a powerful groove with an hypnotic looped vocal layered on top of it!

another seceretsundaze ep which has its feet firmly rooted to the dance floor by london based ben micklewright aka blm. early support by ame, karotte, will saul , giles smith and james priestley

the weird house music composers from brazil strike again with four slices of spaced-out dance floor sounds. psychedelic is just one of the adjectives that come to mind when hearing brazilian duo colors sound system. on their first single for lovemonk, sao paolo brothers jota wagner and wander a, who call themselves weird house music composers, continue on the path to a higher state of consciousness with four slices of mind-altering disco and house splashed with spacemen 3-like vocals and seventies prog guitars and organs. just listen to the almost eleven minutes of *ar* if you dont believe. or *1974*. or *poeira lunar*, for that matter. the beatless title track is the only one staying under the seven-minute limit, and it is also the last track on the ep, like a much-needed comedown. space is the place, as the great sun ra said.

blue hawaii, arbutus records and many of their montreal counterparts all began with the same breath in early 2010. to date blue hawaii has released an 8 song ep: in may of that year, blooming summer (arbutus records 2010) was recorded following the pairs travels in central america. it frames a time of warmth and novelty, featuring dense female harmonies, tape saturated synths, guitars and drum machines. eventually ra- returned to her role in braids, touring constantly, while ag– moved to europe, treading deeper into dance music, electronics, and production. the two decided to make untogether in 2012, they began recording on new years day in vancouver and intermittently worked on the project until summer broke in montreal. the music followed their winter in canada, it became colder, more introspective. it again captured a time and place, but instead of a dense saturation of love and excitement, this record reflects the vast world of self-awareness and delicacy.

nice price deal !!! the braindance ep marks a first outing on throne of blood for veteran philadelphia dance music weirdos pink skull

after appearing on some of big strick cuts like alpha & omega and resivior dogs the newest addition to the 7days ent camp, at 17 years of age, brings his first self titled e.p. a four song masterpiece that is sure to move the dance floor.

third installment on bottins own tin imprint. after teasing & pleasing vinyl lovers and hardcore disco heads with the luscious two releases lust & dirty (which sold out in a blink) bottin confirms once again his alliance with synth maestro rodion. the moustached duo delivers an incredibly sharp dance floor weapon aptly named *one for all*. think kraftwerk and metro area on a trip to italy, going to a rockets concert all spattered in silver body-paint. cybernetic disco? humanized techno? decide for yourself. pointy-edged synth layers cutting through the dancing bodies like a knife through butter, thrusting bass, piercing arpeggios, sexy warm chords, even a splash of guitar work and -icing on the space cake- an out-this-world chorus with bottins own processed voice impersonating some charming italo extraterrestrial. - extremely small vinyl edition on starry midnight-blue heavyweight wax!

a unique collaborative project by visual artist charlie white and musician / producer boom bip, pressed on white vinyl. together the pair have created an ep of dance tracks based on in-depth interviews of teenage girls with accompanying photographic images. the magical, yet sometimes uncomfortable results are now made available on a very limited edition 12 inch. each of the 5 tracks captures the essence of a different teenager, from the privileged and popular georgia musing on the importance of being liked, to the sultry and complicated isabelle recalling her melancholy crushes of freshman year. the original interviews were painstakingly edited and set against the pin-sharp boom bip productions they inspired, whilst the visual element was born out of whites intensive photographic study of a teenage girl living in the isolated suburbs of southern california. white generated around 11k images over 2 years and has selected 12 for *music for sleeping children*. in addition to the 5 original tracks this package includes 5 instrumentals exclusive to this vinyl format. grab this while you can!

the revenge has created a devilish duo of *lose my head* dub remixes to contrast against the funky original from brooklyn synth-pop quartet body language. relentless builds, tight drum kicks, and a hypnotic 303 bass-line create a perfect detroit house beast named dub 1. his equally naughty brother dub 2, will transfix you with throbbing chords and tight percussions, building up to an epic swell of dance-floor mania, beware of the insanity-causing drop!

when wncl012 hero, kevin mcphee, dropped the unreleased bobby champs dubplate of *krenshaw* in his boiler room set last year, the cassette library instantly knew that they had found their lucky star for wncl013. with his trademark boxy drum sound littering the contents of this ep, the man who likes *…making songs that make you want to dance* has done it again.

detail is 20 year old daniil marin from kiev, ukraine. initially influenced by technical itch, detail has carved out a niche for himself and stepped up his production skills to create world class dnb with dance floor production power. with releases already on c.i.a., proximity and support from noisia, the upbeats, break & klute and forthcoming releases on: symmetry, dispatch, utopia music & demand – detail is definitely a brand new talent soon to be on everyones lips. daniil is also a keen amateur health & fashion photographer and one day hopes to contribute to the readers wives section of fiesta.

tropics a.k.a. chris ward first appeared on planet mu last year, following up two eps with the album parodia flare. commended by pitchfork for his lush soundscapes and hazy pop, whats clear with tropics is that he listens to a lot of dance music and he cares about production values. the synth and beat programming is as competent as anything out there, and he avoids lazy indie stylings and one button bontempi organ beats – his are crafted songs, much of the pleasure lying in his gift for dynamic arrangement, which is a joy amid rafts of useful formulaically assembled house tracks.
in common with the general post-financial collapse vibe there is less sunshine in this ep than before, and he has absorbed something from a year of intensive house music listening, but chris essential qualities remain a forward-looking wistfulness, hope beneath melancholy, something even more acutely needed now than before. oh look! here comes winter.

following lion fire featuring jinxs first release on dread and having featured on the dub dread 4 cd compilation this now gets a vinyl release. big in the game huge dance floor anthem.
the ep is a limited edition vinyl release, grab them while you can.

luciano breezes into cadenza musics 10th anniversary year with a new single, cachai/dance unity!

sugar jim jr.: dj, founder, event manager, movin�e gu.nther (one part of tricky fixin�f), head of it all. this man knows what works in the club, has also built a few dance temples with his own hands. awesome dude! music wise? very simple. deephousedisco & 6 a.m. euphoria!

label boss, dj spider links up with analog guru, phil moffa! these two analog junkies have put together a crushing 4 track split effort. the first 3 tracks are strictly for the dance floor and the last one is a deep, mental piece! they each delivered one track each and two tracks were done together. warm analog drums with pure synth soundscapes are on display here from beginning to end. a must have for all true, underground soldiers who support new york techno!

if you ask the canadian producer and dj edward currelly aka eddie c to name you some things he havent done yet but always wanted he answers: visit greenland. Êsell 45s off the back of my motorcycle in jamaica. those who know the music of the former countryman that left the canadian nature to get inspired by the lively culture jungle of berlin get a winking smile on their lips.

the new vinyl release by stefan gubatz features unreleased new dance floor versions of his tracks >byte and scratch< and >offshore< (which had originally appeared as electronic versions on cd) which appear now exclusively for the first time on the telrae vinyl 10 inch series as reworks. >byte and scratch rework< generates a subtle form of urgency which slowly step by step takes possession of yours and does not loose its grip till the very end. stefan has reworked the original for the club, has kept many details in the process of the sound shaping while on the other hand has changed the arrangement and dominance of key sounds very skillfully. he has transferred a piece of electronica into an intense piece of dub techno. >offshore rework< is the counterpart of >byte and scratch rework< being much more ease and repetitive... more in the fashion of some of stefans 10 releases on telrae before

years after rumours of the mysterious usio first started spreading, studio barnhus are finally ready to release the projects debut outing, an lp called kuwa huru. this is emotional, intricate electronic blues for the modern dance floor, with 8 tracks ranging from afro-beat influenced house jams to starlight spangled techno compositions. the double vinyl pack includes a download coupon which gives access to the original album tracks + 5 bonus tracks.

part two of the idjut boys mixes on file under disco sees the legendary uk dj and production duo drop a tab of acid in jkriv & the disco machines orange juice. with effects units set to stun and a course set for acid disco space … the idjuts work classic acid house elements into these mixes to produce an effect as strong as any dodgy microdot. and with the disco machines authentic disco vocals riding and floating on top of this hybrid blend the result is a truly wanged out and rather devastating piece of dance floor magic. pure idjut style! both cuts can be filed under acid disco and are made for heads.

saveds next release is a single from label debutants the italoboyz who present *hi fi*. built on punchy kicks and a pulsating bass line, the track is peppered with chopper effects, stand out vocals and rising synths that combine to cause maximum dance floor destruction. federico molinari provides an intelligent remix which instantly pulls the listener in with its hurdling bass line and fx. accelerated congas layer the mix and the vocals are processed through big ambient delays to great effect.

get the curse music 013 features oliver ho aka raudive, one half of duo the eyes in the heat. widely acclaimed for his vicious minimal techno grooves, raudives been on an machine funk bend and crafted two tracks which are as robust as they are potent. true to the gtcm philosophy, distinctions between vintage and modern, old school and new school, mind melting and bodily stimulation are brilliantly blurred. neither house, techno, ebm or synth punk, these tracks move in their own circles. the same can be said for the xenogears remix, miles away from the tired templates used and abused by most producers. fuck genres, lets dance.

if youre going to get someone to remix a seminal record, its a good idea to get someone in love with the source material groove armada, noir and eats everything all fall firmly into this category. chicken lips >he not in< is one of those records that everyone recognizes, even if youre not aware of its name or who wrote it. the bassline is an enduring sound in dance music that everyone knows, and pretty much everyone loves.

steve bug returns with a brilliant set of killer reworks from his much-lauded noir album. no adjustments features the vocal talents of foremost poets, and remains one of the standout moments on the label boss enigmatic long player. where noir explored the themes of light and shade, it was always clear that no adjustments was one of the more straight up dance floor moments on there, and as such this release is definitely going to be thankfully received by djs.

it should be is the new ep from noon, one of the main artist and the label manager of sfx recordings. this release will be the first one on vinyl and digital. a two tracks ep definitely oriented to a deep underground clubbing feeling. *it should be* is the special tracks perfectly dosed in between groove and melodic flow, it will be a main instrument for all the after lovers. *fun to mental* is definitely the dance floors track of the release. based on a funky energy, surrounded by a fat groove, this tracks is a classic to have and play for all the parties lovers!

drew lustman aka faltydl zählt zu den angesagtesten elektronik-produzenten der vergangenen jahre. mit *she sleeps* veröffentlicht er nun den stärksten track aus seinem aktuellen album *harcourage*. die single wird als zwei separat erhältliche 12 inches . *she sleeps* enthält einen gastauftritt von friendly fires-sänger ed mcfarlane. *she sleeps part 1* beinhaltet neben der original-version noch remixe von gang gang dance und ital. hat locker das zeug zum hit!
pressung auf milchig-transparentem vinyl.

ffr start well 2013 with a vinyl release which could be qualified as indecent, featuring an original track by phonokemi, remixed by two well respected artists, the italian nico lahs and the incredible german producer tim xavier. a release with multiple facets: deep, tech house, minimal & mental and chicago-bump-styleas we would come to expect from phonokemi, thoughts is a deep tech house track of extremely high quality. with a deep and pumping baseline and well refined vocals, thoughts is dark and groovy on one hand and an invitation to dance on the other, with absolutely no second thoughts.nico lahs s remix is an ultra-personal and mental re-read of the original track: minimal and elegant, cosmic and organic this track is reminiscent of some of ricardo villalobos s reference productions.finally tim xavier takes us straight to the centre of the universe: the dancefloor. his remix is a real dancing machine… pumping basses, efficient snares and sublime vocals that loop the loop and make this ep a killer release.

limited clear vinyl, phunked up house

kenneth bager drops this killer dance instrumental (the title track to his album due in 2013) which was a huge hit in ibiza and with pete tong on the radio. also includes kenneths remix of coyotes eve and the cosmic jazz dub of love wont leave me alone feat. jean luc ponty.

the multicultural artist arash (with persian origins) made his first contact with electronic dance music in the mid 90s. mainly influenced by the classic house sound of the 90s and the german electronic music scene around frankfurt, he found his passion to house & techno music. as a teenager he started to spin vinyl and got deeper & deeper into the world of dance music and club culture. after a few years of loving & living he started to host & play on his own parties in the region with his own touch and view of electronic dance music. this was followed by appearances in various clubs and off locations. his dj sets are made of a danceable mixture of groovy deephouse and techhouse. 2011 arash started to take his passion on the next level with shaping his own sound. since then he released tracks on record labels like kiara records (barcelona), bla bla (amsterdam), be real (amsterdam) and night drive music (berlin). arash is definitely an artist to keep a close eye and ear on!

sampler 1 brings us one of the most sought after tunes of the year, joy orbison and boddikas >mercy< has been given the vip treatment by boddika and its been doing damage on dance-floors world-wide since its inception.on the flip, kassem mosse brings his exclusive flavour back to the nonplus camp with >broken patterns<, a mesmeric journey through evolving melodies and drum programming.

bandshell makes music akin to impenetrably complex puzzles. with a rhythmically intricate style both coarse & strikingly individual his curious constructions have seemingly little regard for the constraints of the dance floor. the second track on the ep, *perc*, is featured on ben ufos fabriclive 67.